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Bebop Spoken There

Cedar Walton: "To call him [Milt Jackson] a lyrical player is an understatement." - (Crescendo February 1976).

Dave Douglas: “To me, Horace Silver, Lee Morgan and Blue Mitchell were the epitome of hip. And hipness was the whole point.” – (Jazz Times October 2014).

Bebop Spoken There Archives.

Today Wednesday October 22

Afternoon
VIEUX CARRE JAZZMEN - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
New Orleans Jazz. Raffles and a jolly afternoon.
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JAZZ ESQUIRES - Porthole, North Shields' Ferry Landing. 1pm. Free.
Laurie Brown is now on tenor and clarinet with Peter Ninnim taking over the drum chair.
Ferry from South Shields quarter to and quarter past. On the hour and half hour coming back.
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Evening.
TAKE IT TO THE BRIDGE JAZZ WORKSHOP - The Chillingham, Chillingham Rd., Heaton. 8:30pm. £1.
Sitters in welcome.
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GRAHAM HARDY w. PAUL EDIS TRIO - The Cherry Tree Restaurant Osborne Road, Jesmond, Newcastle upon Tyne NE2 2AE. Tel: 0191 2399924. Free.
Now on Wednesdays with unbeatable food and first rate music.
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BUSKERS NIGHT HOSTED BY RUTH LAMBERT - The Avalon, 26 South Parade, Whitley Bay. 9pm. Free.
All welcome. Keyboards, free buffet, drinks tokens for performers, real ale, real music.
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LEVEE RAMBLERS NEW ORLEANS JAZZ BAND - Springwell Village Hall, Fell Rd., Gateshead NE9 7RP. 0191 4162630. 9pm. £2.
New Orleans style.
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JAZZ AT THE BAY- Cleveland Bay pub, 718 Yarm Rd., Eaglescliffe, TS16 0JE 01642 780275. 9pm.
The Teesside Hot Club swinging at the Bay.
Back on November 5.

Thursday, October 23, 2014

Preview: Nucleus With Leon Thomas -: Live 1970

Leon Thomas – vocals; Ian Carr - trumpet & flugelhorn; Karl Jenkins - oboe & piano; Brian Smith - soprano & tenor sax, flute; Chris Spedding – guitar; Jeff Clyne – bass; John Marshall – drums.
(Press Release - actual review by one of our team nearer will be posted nearer the release date - Lance)
This is the first official release of the June 1970 Montreux Jazz Festival concert featuring trumpeter Ian Carr’s pioneering Nucleus performing with US vocalist Leon Thomas on a set of Thomas’ own repertoire including ‘The Creator Has A Master Plan’ (originally recorded in 1969 with Pharaoh Saunders). 

Wednesday, October 22, 2014

CD Review: Candi Staton - Life Happens


Another concept album! It's an emotional one tracing the start of a love affair from meeting to ending. Is there a reader who can't relate to this?
Candi Staton certainly takes us along the bumpy road to love. The hesitation of the first meeting (I Ain't Easy To Love). The attraction, the desire (Close to You). The needs (The Commitment). Foreverness (For Eternity). True love never runs smooth (Even the Bad Times Are Good). Enter the Other Woman (Beware, She's After your Man - YouTube clip). And so it goes on until, finally, she looks to the future and maybe the relationship can survive (A Better World Coming).

CD Review:Miguel Zenón - Identities Are Interchangeable.

Miguel Zenón Quartet: Zenón (alt); Luis Perdomo (pno); Hans Glawischnig (bs); Henry Cole (dms).
Identities Big Band: As above + Will Vinson, Michael Thomas (alt); Samir Zarif, John Ellis (ten); Chris Cheek (bar); Mat Jodrel, Michael Rodriguez, Alex Norris, Jonathon Powell (tpt); Ryan Keberle, Alan Ferber, Tim Albright (tmb).
(Review by Lance).
To say this is an unusual record is perhaps an understatement - it's unique! It's also compelling and absolutely brilliant. So if I, as a born and bred Englishman, like it, imagine how I'd feel if I was a Puerto Rican living in New York!
Zenón - four times winner of DB's Critics' Poll in the Rising Star Alto Sax Category (how many wins does it take to graduate from the Rising Star Category?!) - is well worthy of such acclaim. On the strength of this CD we can add composer, and not just as a rising star!

Tuesday, October 21, 2014

Super Band Show at Bonbar Featuring Jason Isaacs.

Top crooner Jason Isaacs fronts 7/8 piece band at Bonbar (Assembly Rooms, Fenkle St., Newcastle, NE1 5XU) on November 16. A rare opportunity to wine and dine and see and hear this ace performer in a cabaret style setting. Full details in top right hand column.
Lance.

Jazz North East & Splinter @ the Bridge present: Engine Room Favourites

Martin Archer & Mick Beck (reeds); Graham Clark (violin); Corey Mwamba (vibes); Laura Cole (keyboards); Seth Bennett (bass); Steve Dinsdale (retired hurt), Peter Fairclough, Johnny Hunter, Walt Shaw (percussion). Star Rating *****
 (Review by Steve H./Photo courtesy of Ken Drew.)
When I first heard about this Decatet playing at the Splinter gig I was concerned that the band members might outnumber the audience. I needn’t have worried one of the percussionists (Steve Dinsdale) had to drop out (eaten on the way up according Martin Archer) so now reduced to a nontet the numbers were once again in favour of the audience. As it happens a more than reasonable sized crowd were treated to a memorable gig. Those risk adverse jazz fans who stayed away missed out on one of the most enjoyable and creative gigs of the year.  

Monday, October 20, 2014

CD Review: Max Luthert - Orbital.

Max Luthert (bs); Gareth Lochrane (fl); Duncan Eagles (ten); Seb Pipe (alt0; Matt Robinson (pno); Dave Hamblett (dms).
(Review by Lance).
I suppose one could call this a concept album. Nine original tunes (will jazz ever seduce a wider audience on original tunes alone?) Luthert's particular conception here is to put together music with certain sounds and structures that had been interesting him for a number of years. A number of the tunes are named after phrases or places in books he had been reading. He doesn't mention the actual books so perhaps the listener could try to guess - or better still, ignore all this ****, and enjoy some fine playing by six superb musicians.

Keith Stephen's Hot Club Trio w. Caroline Irwin @ Blaydon Jazz Club (Black Bull). October 19

Keith Stephen (gtr); Roly Veitch (gtr/vcl); Bruce Rollo (bs/vcl); Caroline Irwin (vcl).
(Review by Lance).
Caroline wasn't firing a ukulele from the hip or a cornet from the lip (at least not during the first set) but this modern day flapper did flash her eyes, and us males paralyse, with her vocals during this fine session at the Black Bull.
It had been a while since I visited the cosy home of Blaydon Jazz Club involving for me as it does trains and boats and planes or, to be more precise, buses, metros and pedestrian flyovers. The trip was worth it.
The room has an ambiance that lends itself to whatever the evening holds in store allowing for interaction been performer and listener.

Sunday, October 19, 2014

CD Review: Allison Au Quartet - The Sky Was Pale Blue Then Grey.

Allison Au (alt); Todd Pentney (pno/Rhodes/B3); Jon Maharaj (bs); Fabio Ragnelli (dms); Felicity Williams (voice tk 1).
(Review by Lance).
A Toronto based alto saxist/composer, Au plays in a quite delightful manner. Contemporary and fresh with an airy lilt to her playing the sound hints at such grandmasters of the instrument as Lee Konitz, Art Pepper or Paul Desmond. Yet Au is very much her own person. The individuality shines forth in her choice of notes, in particular the unusual intervals in her phrasing both as a player and a composer.

Clouts’ poetic jazz heads north by degree

You don’t need a degree in Social Anthropology from Cambridge University to play jazz but it certainly helped pianist and composer Philip Clouts.
South Africa-born Clouts, who brings his new quartet to the Jazz Café in Newcastle on Friday October 31 on their way to a Scottish tour, was just finishing his studies at Cambridge when he had an epiphany. Realising that he wanted to contribute to his own culture instead of studying other ones, he decided to concentrate on music and specifically the South African jazz style that had followed him to London, where he grew up.

Saturday, October 18, 2014

Paul Edis Sextet @ Gala Theatre, Durham, Mr Hipster tour, October 13

Paul Edis (piano), Graham Hardy (trumpet & flugelhorn), Graeme Wilson (tenor & baritone saxophones), Kieran Parnaby (trombone), Mick Shoulder (double bass) & Adam Sinclair (drums).
(Review by JC).
As BSH has already reviewed the Sextet's Mr Hipster CD and the album launch at Sage Gateshead, there is not an awful lot left to say except that everything Lance and Russell have said is true. What a great band, playing great compositions!
Durham is Paul Edis's home town so when the album review says that the opening number The Timothys has a township groove, this township is Durham. The band leader was in chatty form and opened his remarks by explaining that this concert was part of the Mr Hipster tour and naturally enough asked how many hipsters were in the hall. Of course, the jazz fans of Durham are far too hip to respond to that kind of question and I would have thought that less than half the audience put up their hands.

CD Review: Count Basie - Original Album Series

The Atomic Mr Basie (1957)*
One More Time (1958)
Count Basie Swings, Tony Bennett Sings (1959)
Chairman of the Board (1959)
Basie at Birdland (1961).
(Review by Lance).
OMG! Must check the calendar - it's either Xmas Day or it's my birthday! Unless my parents were lying, it's not but it sure feels like it!
Four albums by the most swinging band ever, plus one with a guy who could sing a bit, make this my album (box set) of the year. Sure the Ellington Band had more depth of colour, tonal textures etc. but even Gonsalves swinging his butt off at Newport 56 never got within an inch of this band for sheer excitement.

Friday, October 17, 2014

Beats & Pieces saxophonist Sam Healey wins International Jazz Soloist Award

(Press Release).
Efpi are proud to announce that Beats & Pieces Big Band saxophonist Sam Healey has won first prize in the Johnny Raducanu International Jazz Festival in Braila, Romania. Fourteen musicians from a wide variety of countries performed over two days, with Sam receiving the top prize of €5000 from the judging panel. The festival was established in memory of pianist Johnny Raducanu, who was born in Bralia and went on to become Romania's most famous jazz musician, performing with the likes of Art Farmer and Slide Hampton during his career.

Pilgrim St. Set @ Hoochie Coochie. October 16

Richard Burns (tpt); Gary Turner (ten); Paul Edis (pno); Paul Susans (bs gtr); Rob Walker (dms).
(Review by Lance).
Regular sessions whether they be weekly or, in this case, monthly are inevitably variable. Sometimes they [any band] blow your socks off whilst at other times they can appear blasé.
Nothing blasé about tonight - socks had to be retrieved before leaving.
In a word - awesome!

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
PS:I don't care what your political views are - you can love or hate Cameron, Clegg, Milliband, Farage, Genghis Khan or Julius Caesar - just don't air them here!
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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