Bebop Spoken There

Melissa Aldana: ''Having to play a ballads album, which is something very revealing for a saxophone player, would help me to question some new aspects of how to go deeper into sound." (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18602 (and counting) posts since we started blogging 18 years ago. 466 of them this year alone and, so far this month (June 8) 17

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

June

Sat 13: Ladies of Midnight Blue + Northern Monkey Brass Band @ Northumberland Miners’ Picnic, Woodhorn Museum, Ashington NE63 9YF. Free. From 10:00am. Ladies of Midnight Blue (3:00-3:45pm); Northern Monkey Brass Band (4:00-4:45pm).
Sat 13: Sarah Spencer’s Transatlantic Jazz Band @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 13: Tees Bay Swing Band @ Saltburn Bandstand. 2:30-4:30pm. Free.
Sat 13: Courtney Pine @ The Glasshouse, Gateshead. 8:00pm. £35.80. Pine (saxophones); Robert Mitchell (piano); Rio Kai (double bass); Romarna Campbell (drums). ‘A Modern-Day Jazz Story 1986 - 2026’.

Sun 14: Front Porch Band: Swing Tyne’s Swing Social @ The Cluny, Newcastle. 12 noon (doors). Donations (£5.00. - £10.00. suggested). Swing dance event w. taster class (12:30pm).
Sun 14: 58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00-3:00pm. Free.
Sun 14: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 14: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 14: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 14: Doctor Jazz @ The Old Church, Sacriston, Durham. 3:00-5:00pm . Free (donations welcome). New Orleans, blues & classic 20th century songs. Food & soft drinks available, BYOB.
Sun 14: Eddie Gripper Trio @ The Globe, Newcastle. 8:00pm. Gripper (piano); Clem Saynor (double bass); Patrick Barrett-Donlon (drums). Americana album tour.

Mon 15: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 15: Dan Johnson w. Dean Stockdale Trio @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 16: Alan Law Trio @ The Ticket Office, Whitley Bay. 2:00pm. Free.
Tue 16: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Stu Collingwood, Paul Grainger, Abbie Finn.

Wed 17: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 17: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 17: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 18: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 18: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 18: Lindsay Hannon: Tom Waits for No Man @ Harbour View, Roker, Sunderland. 8:00pm. Free.
Thu 18: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 19: Joe Steels Group @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Ferg’s Imaginary Big Band @ Cobalt Studios, Newcastle. 7:00pm. £14.33., £11.16., £8.00.
Fri 19: Martin Litton @ Sunderland Minster. 7:30pm. £13.01 (inc. bf); £6.50 (inc. bf); £15.00 on the door. Solo piano. CANCELLED!
Fri 19: Jools Holland’s R&B Orchestra @ Hippodrome, Darlington. 7:30pm. Joe Webb support set.
Fri 19: Hot Club du Nord @ Warkworth Memorial Hall. 7:30pm.
Fri 19: Jive Aces: The Roots of Rock & Roll @ The Cluny, Newcastle. 7:30pm (doors). £20.00 + bf.

Tuesday, May 26, 2009

Robert Mitchell 3io - Schmazz @ The Cluny

Robert Mitchell (pno), Tom Mason (stick bass), Richard Spavin (dms).
Anyone who heard Robert Mitchell at Matana Roberts' recent Live Theatre gig didn't need reminding that Robert is a pianist of outstanding technique and creativity. This promised to be one of the most outstanding Schmazz @ The Cluny gigs for many a full moon and I'm pleased to say that it lived up to expectations. With Tom Mason on bass and Richard Spaven, drums, Britain really did have talent tonight at The Cluny.
Mitchell is possessed of possibly the most prodigious technique I've heard in any pianoman and he used it to the full without a parachute.
If you've ever watched the Tour de France and marvelled at the skill with which the riders handle the twisting Alpine descents - this was it in piano terms. At times it was almost like a Liszt Piano Concerto played in double time. His attack was so percussive that his hands were just a blur. If he ever gets sick of piano he'd make one helluva drummer!
Tom Mason on the strange instrument called a stick bass - I call it a 'Pogo' - had some nice touches although I can't see any advantage over a double bass or even a fretless. Still it's his choice so who am I to argue.
Spaven proved to be yet another fine young drummer who added his own voice to the trio, sorry '3io'. For once we had a gig without endless rounds of fours and obligatory bass solos - I'm pleased to say.
Great gig.
Lance.

2 comments :

Paul B said...

There's nothing really I can add to Lance's review - this was indeed a stupendous gig from a pianist who's still not getting the level of recognition he deserves (and why weren't any of our local pianistic whizzkids in the audience last night?).

Just a note, though, on Tom Mason's "stick bass", which I agree has no aural advantages over the conventional bull fiddle, and seemed to me to have less richness in bowed passages. But it does have an advantage in portability, and as the trio had travelled from London by train, it was a matter of convenience for Tom.

Lance said...

I suspected portability might come into the equation.
We did have one "pianistic whizzkid" in the audience in the form of Stu Collingwood - himself no mean performer. Stu was impressed as was drummer Malcolm Dick.

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