Bebop Spoken There

Melissa Aldana: ''Having to play a ballads album, which is something very revealing for a saxophone player, would help me to question some new aspects of how to go deeper into sound." (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18602 (and counting) posts since we started blogging 18 years ago. 466 of them this year alone and, so far this month (June 8) 17

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

June

Sat 13: Ladies of Midnight Blue + Northern Monkey Brass Band @ Northumberland Miners’ Picnic, Woodhorn Museum, Ashington NE63 9YF. Free. From 10:00am. Ladies of Midnight Blue (3:00-3:45pm); Northern Monkey Brass Band (4:00-4:45pm).
Sat 13: Sarah Spencer’s Transatlantic Jazz Band @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 13: Tees Bay Swing Band @ Saltburn Bandstand. 2:30-4:30pm. Free.
Sat 13: Courtney Pine @ The Glasshouse, Gateshead. 8:00pm. £35.80. Pine (saxophones); Robert Mitchell (piano); Rio Kai (double bass); Romarna Campbell (drums). ‘A Modern-Day Jazz Story 1986 - 2026’.

Sun 14: Front Porch Band: Swing Tyne’s Swing Social @ The Cluny, Newcastle. 12 noon (doors). Donations (£5.00. - £10.00. suggested). Swing dance event w. taster class (12:30pm).
Sun 14: 58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00-3:00pm. Free.
Sun 14: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 14: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 14: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 14: Doctor Jazz @ The Old Church, Sacriston, Durham. 3:00-5:00pm . Free (donations welcome). New Orleans, blues & classic 20th century songs. Food & soft drinks available, BYOB.
Sun 14: Eddie Gripper Trio @ The Globe, Newcastle. 8:00pm. Gripper (piano); Clem Saynor (double bass); Patrick Barrett-Donlon (drums). Americana album tour.

Mon 15: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 15: Dan Johnson w. Dean Stockdale Trio @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 16: Alan Law Trio @ The Ticket Office, Whitley Bay. 2:00pm. Free.
Tue 16: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Stu Collingwood, Paul Grainger, Abbie Finn.

Wed 17: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 17: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 17: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 18: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 18: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 18: Lindsay Hannon: Tom Waits for No Man @ Harbour View, Roker, Sunderland. 8:00pm. Free.
Thu 18: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 19: Joe Steels Group @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Ferg’s Imaginary Big Band @ Cobalt Studios, Newcastle. 7:00pm. £14.33., £11.16., £8.00.
Fri 19: Martin Litton @ Sunderland Minster. 7:30pm. £13.01 (inc. bf); £6.50 (inc. bf); £15.00 on the door. Solo piano. CANCELLED!
Fri 19: Jools Holland’s R&B Orchestra @ Hippodrome, Darlington. 7:30pm. Joe Webb support set.
Fri 19: Hot Club du Nord @ Warkworth Memorial Hall. 7:30pm.
Fri 19: Jive Aces: The Roots of Rock & Roll @ The Cluny, Newcastle. 7:30pm (doors). £20.00 + bf.

Monday, March 15, 2010

The Death Knell for Traditional Jazz Part 2 - Alan Rudd.

Unfortunately, as Brian correctly points out, despite the apparent abundance of local jazz gigs, the local trad/dixieland scene has for a long time suffered a steady decline in the numbers of musicians drawn to this type of jazz. As a result the average age of a typical local jazz band is usually quite high and, without an influx of new personnel or a revival period, it is almost inevitable that the scene will fade out eventually.
You only have to compare the queues of young people waiting to audition for x factor, to the numbers of young people queuing to get into your local jazz gig to realise the scale of the problem.
I honestly don't know if there is a viable solution. However, I would suggest the situation could be seen as an opportunity for some one to look at the possibly of school gigs (maybe as a presentation with some actual live performance) rather than just working the normal pubs/clubs/jazz clubs scene.
Link to original article by Brian Bennett.
Alan Rudd.
at

1 comment :

Lance said...

It is interesting that you should mention schools Alan.
Jazz in education - as in music colleges - is reasonably profiled but I would hazard a guess that its spectrum is rather narrow.
Big bands, post bop, jazz-rock I think probably covers it with little regard for what went before.
The early local traditionalists learned there craft in the back rooms of pubs and clubs. Many went on to embrace modern jazz - Johnny Dankworth, Dickie Hawdon, Keith Christie to name but three.
The moderns themselves usually began in dance bands where often they would play Syd Phillips' dixieland charts which served to give them a foot in both camps.
Today however, the young musician who has opted out of the overcrowded guitar class and decided on a wind instrument needs to know his options. If he's a clarinet player it's either classical or buy a tenor and play jazz (or jazz/rock) as identified by the music school's curriculum.
I'd be interested to hear from those involved in music education.

Tuesday, March 16, 2010 9:31:00 pm

Post a Comment

Subscribe to: Post Comments ( Atom )

Blog Archive