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Bebop Spoken There

I've been approached so many times to write a book. I've got a gazillion stories, but I don't think I'm going to tell them because I have a lot of skeletons in my closet." - Dee Dee Bridgewater (Jazz Times May 2013)
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"Years ago you played clubs, you played for people. Now, everybody’s playing in practice rooms for each other." - Joe Lovano (Jazz Review October-November 2008.)
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TODAY TUESDAY MAY 21

LINDSAY HANNON - Ernest, 1 Boyd St., Ouseburn, Newcastle NE2 1AP. 7:30pm.
Top vocalist at trendy venue.
MAINE STREET JAZZMEN - West Jesmond British Legion Club, nr. West Jesmond Metro. 8:30pm. £3.
Great Dixieland.
BELL AND BUCKET QUARTET - Bell and Bucket, Norfolk St., North Shields. Free. 1pm.
New Orleans style with guests.

Tuesday, February 21, 2012

CD Review. Curtis Stigers - Let's go Out Tonight.

Curtis Stigers has been, and still is, many things. There was the rock and roll icon, the jazz singer/saxophone player and latterly the crooner on The Proms cosying up to his "legit" contemporaries. With Stigers what you see isn't always what you get!
This latest CD, for me, shows off his voice at its best. The slow, husky croak of a man who isn't tired of life but maybe just a little bit blasé. He's not Tom Waits but he isn't Frank either. Comparisons could be drawn with Sinatra's Only The Lonely  - the same feeling of sadness prevails.
However, Stigers is of a different generation and his choice of songs include ones from the pens of such post gasbook poets as Bob Dylan (Things Have Changed), Eddie Floyd (Oh How It Rained), Jeff Tweedy (You Are Not Alone), Neil Finn (Into Temptation), Stevie Earle (Goodbye), David Poe (Every One Loves Lovers) and Blue Nile's Let's Go Out Tonight. It's very listenable and ideal Wee Small Hours material - particularly if you've had a fall-out with your woman and failed to find solace in the arms of the recently divorced housewife next door but one - a hypothetical situation I hasten to add!
Curtis doesn't play much, if any, sax but there are some nice Miles/Chet trumpet obligatos and even a touch of Bubber Miley from an unnamed player (on my copy).
In many ways Curtis reminds me of  Madeleine Peyroux  inasmuch as, by mid album, a variation of tempo would have been a nice change from the superb but sometimes monotonous rhythm..
Nevertheless, it is well done and the tracks on the CD are very listenable although not necessarily in one go. I'm sure many of these same numbers will be appreciated by the crowd when he reprises them at the Sage Gateshead International Jazz Festival on March 25 which just happens to be the day before the album's.official release on March 26 although it can be pre-ordered on Amazon £8.99 post free.
Lance.

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About this blog - contact details.
Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Alternatively, email me - lanceliddle@gmail.com.

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Posters and Programmes etc.: Old gig posters/programmes - more wanted. A WHOLE WADGE OF PROGS. JUST BEEN ADDED AND MORE TO COME!

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